Viv Albertine was a guitarist and lyricist for the punk band The Slits. She is also the author of two memoirs. For one thing, she says, “There [were] just no role models I never heard of anyone, any female playing guitar. But Albertine says she “was aware of how constructed they were by male managers. Instead, in , she and some other female musicians formed the all-women punk band The Slits. The band rehearsed in London’s abandoned “squats,” dressed in ways that defied male ideas of “femininity” and carefully created their own distinct sound. Interview Highlights On The Slits figuring out how to perform in a way that separated them from male musicians The Slits took a lot of time out of our rehearsal periods, which were in old squats, old broken-down houses around London, talking about how should we stand?
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But within pop-punk circles, the genre is alive and well, and its devotees are quietly forging an exciting new scene. Below, we’ve selected 10 new pop-punk acts from the past several years that deserve more attention. None of these bands are signed to major labels, and frankly, it would be surprising if any did in the near future.
In similar company with new-school French progressive dance artists such as Motorbass, Air, Cassius, and Dimitri from Paris, Parisian duo Daft Punk quickly rose to acclaim by adapting a love for first-wave acid house and techno to their younger roots in pop, indie rock, and hip-hop.
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Right around the time I had absorbed just about the entirety of their back catalog, I learned of a new various artists disk that head honcho Ben Weasel himself was curating. Punk USA was the album in question, and I regarded and still do it as nothing short of a knockout. At the time of it’s issue in ’94 it boasted exclusive material from almost all of it’s participants, and given that I was already an established aficionado of melodically-enhanced aggregations like the Queers, Jawbreaker, Face to Face and Sinkhole, this compilation was an absolute must purchase.
About Daft Punk. Daft Punk assumed their reign over the French electronic scene shortly after the appearance of their second single “Da Funk” in , making mere subjects of such high-profile names as Motorbass, Air and Dimitri from Paris.
Pharrell Williams [Radio Edit] 4: The combined talents of Guy-Manuel de Homem-Christo and Thomas Bangalter, the Parisian duo quickly won acclaim for their unique blend of first-wave acid house and techno with pop, indie rock, and hip-hop. One of the pair’s first projects together was Darling, an instrumental indie cover band; their current recording name derives from a review in U.
Subsequently ditching the almost inevitable creative cul-de-sac of rock for the more appealing rush of the dancefloor, the pair released their debut single, “The New Wave,” in on the celebrated Soma label. Instantly hailed by the dance music press as the work of a new breed of house innovators, the single was followed by “Da Funk,” the band’s first true hit the record sold 30, copies worldwide and saw thorough rinsings by everyone from Kris Needs to the Chemical Brothers.
Although the group had only released a trio of singles “The New Wave” and “Da Funk,” as well as the limited pressing of “Musique” , in early Daft Punk were the subject of a minor bidding war. The group eventually signed with Virgin, with its first long-player, Homework, appearing early the following year a brief preview of the album, “Musique,” was also featured on the Virgin compilation Wipeout XL next to tracks from Photek, Future Sound of London, the Chemical Brothers, and Source Direct.
As with the earlier singles, the group’s sound is a brazen, dancefloor-oriented blend of progressive house, funk, electro, and techno, with sprinklings of hip-hop-styled breakbeats and excessive, crowd-firing samples similar to other anthemic dance-fusion acts such as the Chemical Brothers and Monkey Mafia. After four long years of fans eagerly awaiting a follow-up to their brilliant debut, Daft Punk finally issued Discovery in March The live record Alive followed at the end of the year, and a by-now predictable four-year wait preceded the release of Human After All in early One year later, Daft Punk released a compilation, Musique, Vol.
The album and its single “Harder, Better, Faster, Stronger” won Grammy Awards early in ; shortly after, it was announced that the duo would compose the soundtrack to Tron: Legacy, the sequel to the classic sci-fi film Tron. Daft Punk’s music for the movie was released in November , shortly before the film — which featured the group in a cameo — arrived in theaters.
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Taken singly and as a whole, Spot’s photos capture the look and feel of defining, evanescent crosscurrents in Southern California culture — sun-splashed beach scenes and dimly lit hardcore clubs; big-haired, bikini-clad roller skaters and grim, graffiti-adorned basements — with an intimacy and a fondness that’s impossible to feign.
Spot himself notes in his foreword to the book that he “began taking photographs in and visually crossed cultural divides that folks now want to philosophize over, but such theorizing is always ineffective. In the end, you were either there, or you weren’t.
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The years —84 saw punk emerge and evolve as a fashion, a musical form, an attitude and an aesthetic. Against a backdrop of social fragmentation, violence, high unemployment and socio-economic change, punk rejuvenated and re-energised British youth culture, inserting marginal voices and political ideas into pop. Fanzines and independent labels flourished; an emphasis on doing it yourself enabled provincial scenes to form beyond London’s media glare. This was the period of Rock Against Racism and benefit gigs for the Campaign for Nuclear Disarmament and the striking miners.
Matthew Worley charts the full spectrum of punk’s cultural development from the Sex Pistols, Buzzcocks and Slits through the post-punk of Joy Division, the industrial culture of Throbbing Gristle and onto the s diaspora of anarcho-punk, Oi! He recaptures punk’s anarchic force as a medium through which the frustrated and the disaffected could reject, revolt and re-invent.
No Future is history as punk, and punk as history. Digging deep into the fanzine squabbles and music press controversies that raged across the punk community, Matthew Worley brings to keen life the urgency of a period that felt at once like a terrifying crisis-time and the dawn of a new epoch delirious with radical possibilities.
Punk Legend And Memoirist Viv Albertine On A Lifetime Of Fighting The Patriarchy
Ware sagely examined this blog before choosing birthday presents for me this year. What a brilliant album of technopop that was! It served up lots of massively chorused vocals.
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He has worked for indie and major labels, scored films, and has worked as producer, engineer, mixer, and remixer for artists such as DJ Shadow, Frank Sinatra, Radiohead, John Cale [Velvet Count is currently directing the documentary Unsound, about the impact that internet revolution is having on creators. She contributed to the 1 album The Hamilton Mixtape; her track, “Congratulations,” notched over 5 million streams.
Agee secures global partnerships for and oversees creative and strategic business development. She is a classically trained violinist, bassist and sound engineer who resides in Los Angeles. Agee has spoken on panels and hosted workshops across the world. She grew up in Oklahoma as a Classical violinist and started writing, recording and playing multiple instruments when she moved to Los Angeles at After a stint at the LA Recording School, she built and opened a studio in Silver Lake and recorded Punk bands and developed writing partnerships.
She started touring with multiple indie acts as a violinist and bassist before transitioning to full-time writing.